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Friday, August 15, 2008

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I've read the whole "Ender" series, and was disappointed when, about six books in, I found the website for Card's blog on one of the books. I remember reading two things. First, he said that the Bush administration had been a success by all possible measures, and he was amazed that Democrats could disagree. Second, he said something to the effect of "Liberals say the war is about oil. So what? What do liberals put in their cars?" Most people defending imperialism don't give away the whole game quite like that.

It makes me wonder why I haven't penned dozens of novels, if this repulsive moron can?

I stopped with Ender's Shadow, where Card's creepy child fetishism had him asking us to believe that an infant could do the Steve McQueen routine to escape from a laboratory. I decided to bow out before he wrote an entire book about zygotes.

Card may be a repulsive moron at this point, but he did have enormous talent at the beginning of his career, and even though that's largely dissipated now the craft is still there. But I've read a few science fiction books that made me think, wow, the bar's really that low? Like anything by Jack McDevitt; I don't know what the guy had to do to get that insufferably wooden dreck of his published, but I'm guessing it's even illegal in Amsterdam.

Last time I looked at anything by Card was the first two issues of Ultimate Iron Man, where Tony Stark's scientist mother contracted some sort of weird toxin during an expierment gone wrong. So were' treated to, I shit you not, ten pages or so of a pregnant woman writhing in pain, she won't take painkillers because it might affect the baby.

Second issue, Tony Stark is born- with blue skin because of the toxin, or whatever. A toddler Tony is kidnapped by villains and the issue ends with a five year old boy having a weird crown device with spikes curled toward his head being jammed onto his head. Seriously, Card should not be allowed near children.

Now you know how the people who used to dig David Mamet feel. It was also a gradual awakening, as his irritatingly arch tick-tocking dialogue moved from being novel to just an affectation. And then we found out about his wacko politics...

Yep, I've got the Mamet thing going as well; in fact I avoided his most recent film based on his asinine political views (which may or may not have been apparent in the film, but I didn't want to send any more money his way whether directly or indirectly).

I still enjoy his dialogue—which my friends and I refer to as "Mameting"—even though (ok, maybe because) it's so affected.

Card's homophobia went more or less public in 1990, when he published an article attacking queers in an LDS publication, which got circulated among gay-friendly sf readers very quickly. So it's not exactly a "gradual awakening." Same for Mamet - didn't he esablish himself as a pig with that play about sexual harassment, almost as long ago?

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